![]() ![]() A distorted voice says "Here is a loud announcement!" about 10 seconds before the next part starts. Furthermore, it is the only section on this album to feature the Mellotron Wright uses the "3 Violins" and "Flute" registration in order to create the dissonant chord clusters throughout this sound collage. Part one is composed mainly of electronic noises. The 'noise' piece in the song, divided in two parts: Mind Your Throats Please (15:30–19:13) (Wright, Gilmour, Mason, Waters) The song then changes key back to E minor, slowly building to a reprise of the main theme from "Father's Shout". With the introduction of a sustained note on a Farfisa organ, and grand piano, this section changes into a chanting section by the choir. It contains a second, much bluesier guitar solo. Introduced by a key change from E minor to G minor, this section features a simple band jam session. The voices swell in a dramatic crescendo, before finally dying down.įunky Dung (10:13–15:29) (Wright, Waters, Gilmour) Picking up directly after the last note of the guitar solo, the organ (with quiet bass and drums) takes over for a five-minute ostinato sequence, playing chords based on E-minor, gradually joined by soprano voices and then a choir. Mother Fore (5:27–10:12) (Gilmour, Wright, Geesin, Waters) The choir soon joins in at the end of this section. This is followed by a double-tracked slide guitar solo. This section, as well as the next two sections, are in the key of E minor.īreast Milky (2:55–5:26) (Wright, Geesin, Mason, Gilmour)Īfter this, a cello solo begins, accompanied by bass guitar and organ, with drums joining later. ![]() Being reprised several times, this part may be seen as the main theme of the piece. The band then enter with the brass continuing, before the music calms down. Opening with a low Hammond organ note, a brass section swoops in, creating a suspenseful note to it, similar to 1960's murder mystery/suspense films. Sectionsįather's Shout (0:00–2:54) (Gilmour, Geesin) It had been previously performed by a number of ensembles including the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP) in March 2003 and the Seamus Band on 14 October 2005. David Gilmour joined the gig on the second night at Cadogan Hall playing his black Stratocaster for most of the track and lap steel guitar for the slide parts. The number was performed live without the involvement of any members of Pink Floyd for the first time in 36 years on 14 and 15 June 2008 by The Canticum Choir, with the Royal College of Music on brass, Caroline Dale on cello, Ron Geesin on piano, Andrea Beghi on drums, Nadir Morelli on bass, Federico Maremmi on guitar and Emanuele Borgi on the Hammond organ. Years later, Kubrick refused Roger Waters permission to use audio samples from his film 2001: A Space Odyssey on Waters' solo album Amused to Death. It can be seen on a shelf in the music shop scene. Kubrick did, however, include the album cover in the film. Stanley Kubrick wanted to use this track for his film A Clockwork Orange however, the band refused permission. The song was the last Pink Floyd composition which was credited as being co-written by someone outside the band prior to 1979 (not counting Clare Torry's contribution to "The Great Gig in the Sky", for which she has been retroactively given credit due to a settlement with Pink Floyd). When Roger Waters heard David Gilmour playing the guitar parts for this track, he said that he thought it sounded like the theme song from the western film The Magnificent Seven. Roger Waters and Nick Mason had to play for twenty-three minutes straight. Recording began with the drum and bass parts, recorded in one take for the entire suite, resulting in an inconsistent tempo throughout the song. ![]()
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